His focus is on the project, not the pay-cheque.
— Bridie Bischoff, Producer at Atticist Productions

Theatre publicity is expensive, right? Wrong.

Since theatre doesn't have set budgets, I shouldn't have set rates either. Which is why there are no numbers on this page.

I am happy to discuss working together at a rate that is affordable to you. Any pitch I give is bespoke, unique and tailored to your needs. I want to work towards what you can afford to budget towards PR.

If you need theatre publicity and don't want to pay through the nose for it - get in touch.

Hiring Chris is like paying for a chocolate brownie and then getting an ice-cream sundae thrown-in on top for free.
— Alan Stratford, King's Head Theatre

Testimonials on Rates

Hiring Chris to do PR is like paying for a chocolate brownie and then getting an ice-cream sundae thrown-in on top for free. Always exceeds expectations of what is possible on your budget.
— Alan Stratford, King's Head Theatre
(Chris’) genuine belief in theatre and the arts is demonstrable by his willingness to offer us two rates for his work: one if we gained funding, and one if we didn’t. To a fledgling company like ourselves, this was invaluable and we feel very grateful for Chris’ generosity.
— Patrick Cash, Writer of The HIV Monologues and Co-Owner of dragonflies THEATRE
I had the pleasure of working with Chris for the show I produced and directed at Above the Arts - Straight to the Heart - I would heartily recommend Chris for your publicity needs. Through his efforts we got the reviewers in and received seven 4-Star reviews and were nominated for an Offie as best new play. Well worth the money!
— Alex Dmitriev, Director of Straight to the Heart
Chris provided a tailored, cost effective approach in line with what our production needed at each stage. His rates are fair and he is flexible on pay structure, which means that small companies like ours are able to capitalize on his experience without overtipping our budget. Most importantly, the quality of Chris’s work is consistent; his focus is on the project, not the pay-cheque.
— Bridie Bischoff, Producer at Atticist Productions
Chris offers competitively priced bespoke PR for theatre. He will take the time to understand your production and budget and adapt his service accordingly. He understands the art of the show as well as the art of selling!
— Hannah Elsy, Producer at Hannah Elsy Productions
Chris’ prices are fair: affordable and adapted to budgets and funding in a bespoke manner. His work and knowledge are worth every penny spent, given that he is available for advice or suggestions any day or time.
— Fanny Dulin, Producer at Exchange Theatre
A great resource for a fringe theatre, he brings energy, frankness and a belligerent charm.
— Mark Magill, Artistic Director of LOST Theatre
A very professional and reasonably priced service.
— Andrea Leoncini, Owner of LWL Entertainment Ltd.
Chris has very competitive rates, which meant smaller shows like ours could still have a good PR on the team.
— Damien Tracey, Producer and Artistic Director of Scelta Mora